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EXCLUSIVE INTERVIEW: Oscar Winning Filmmaker & Writer Pamela Tanner Boll

ACCLAIMED FILMMAKER & WRITER PAMELA TANNER BOLL, WHO CO-PRODUCED THE OSCAR-AWARD WINNING BORN INTO BROTHELS, SPEAKS WITH Paradigm Shift’s COMMUNITY OUTREACH COORDINATOR, JULIA K. WEIS, ABOUT WHY HER STRUGGLE BALANCING A CREATIVE IDENTITY WITH MATERNAL RESPONSIBILTY PROMPTED HER TO DIRECT HER FIRST DOCUMENTARY, WHO DOES SHE THINK SHE IS?

CHECK OUT THE TRAILER ON PShiftTV HERE!

Q: For what reason did you create Who Does She Think She Is? What was your inspiration?

A: I have been a writer and painter for most of my adult life, but the fact is, I stopped writing and painting during college up until I was 32 years old. That was when I had my first child. For those years I didn’t do anything creative because I couldn’t imagine supporting myself as an artist and continuing to create new ideas. So, instead, I decided to work in NYC for a commodity trading company, then for a literary agency, and then for another company. After that, I got married.

I always wanted children, so I had a child and it completely changed my life. It absolutely turned everything upside down in a way that was remarkable to me. I was amazingly in love with this little boy that I had and yet as the same time scared I would do something wrong. I was scared of the responsibility of keeping him alive and I was very cognizant that it was me who was keeping him alive. I had never felt that kind of responsibility and utter love before.

I started writing again because I didn’t know how to make sense of all these feelings. At the time, though I didn’t realize it then, I was also experiencing a bit of post-partum depression and that was terrifying too. And so, I started writing a lot about being a mother and being pulled between the baby’s needs and my own. I quickly had two more sons.

When my oldest was about a year old, I felt I had to express this part of my life again. Long story short, I started doing these things and put aside my fear that I wasn’t very good at them. I started getting some recognition for my work. I taught at Harvard for a couple years, based on the strength of my essays and short stories. Still despite all of that I was feeling caught between the needs of my family and work. No matter where I was it felt like I was in the wrong place.

My boys became teenagers and all of a sudden I wasn’t at the center of their lives. I thought, Gee – what about my own life? I always imagined I would be a writer with five books published. I was terrified of growing older and having nothing to show for it other than these three beautiful boys.

And so, I heard of Maye Torres from Taos, New Mexico. She’s a “thirteenth generation Taosena” who works on a lot of public sculptures. It’s still primarily a male field, but that is her main job – to be an artist. I couldn’t believe that this woman was making her living as an artist despite all of the hardships that she was experiencing. She was a single mother, divorced and I thought, how in the hell does she do that? I felt like I was living my life halfway, without as much zeal. So she was the real inspiration.

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Profiles in Strength, The Masculinity Stories: Story 4

The same woman from Profiles in Strength, The Masculinity Stories: Story 3 tells her most important memory of her father.

Viewer Feedback:
How do children construct fathers’ masculinities? Do daughters and sons construct fathers’ masculinities in different ways?

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Profiles in Strength, The Masculinity Stories: Story 3

An older women recalls the story of her father’s masculinity and character.

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Profiles in Strength, The Masculinity Stories: Story 1

Pat McGann produced this video for the Men Can Stop Rape campaign. This video is a man telling his story about his father’s masculinity, the way that it was a product of something much larger, and the implications that this particular masculinity has had on his own life.

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Men Can Stop Rape Celebrates 10 Years of Work with Young Men

This video discusses the history of Men Can Stop Rape, as well as the future of the organization, and their strategies and approaches to ending rape.

Viewer Feedback:
The Men Can Stop Rape campaign (and other anti-violence men’s organizations) focus on the strength of men, along with an insistence that men’s strength is not for violence. What is this strength? What is this strength for?

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Why?

This TV commercial for the White Ribbon Campaign confronts the issue of silence surrounding domestic violence.

Viewer Feedback:

Why does so much silence surrounds domestic violence? Why is it that so often no one is willing to confront an abuser?

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White Ribbon Campaign

This is a video about the history, mission, and approach of the White Ribbon Campaign.

Viewer Feedback:

Are men more likely to listen to other men when it comes to certain issues?

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2007 White Ribbon Campaign Featuring Gorden Tallis

This is a commercial featuring Australian rugby player Gorden Tallis speaking about violence against women in Australia.

Viewer Feedback:
In the two White Ribbon Campaign Commercials featured on PShiftTV, the men cialis 5mg admit that it is embarrassing to wear the white ribbon symbol, but more embarrassing to be living in a country with such a high domestic violence rate. Why would it be embarrassing for these men to be a symbol for the White Ribbon Campaign?

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2007 White Ribbon Campaign Featuring Jason Johnson

This video is features Jason Johnson, Australian football player, promoting the United Nations International Day for the Elimination of Violence Against Women. Johnson focuses on the extremely high rate of abused women in Australia.

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Tough Guise: Violence, Media, and the Crisis in Masculinity

Feminist and anti-violence educator Jackson Katz discusses the ways in which men are constructed to be violent. Katz makes the point that men have a responsibility to deal with these negative forms of masculinity, even though women are typically the ones bringing attention to the issue. He discusses the importance of alternative masculinities, and how both men and women can help bring this change.

Viewer Feedback:
Overcoming violent and oppressive forms of masculinity is definitely a feminist issue; however, as Katz points out, these forms of masculinity are detrimental to men—not just women. Why are many men so defensive of a certain type of masculinity? Why are so many men reluctant to identify as feminists, even if they hold feminist values?

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