Archive for shireensaxena

Shes Speak — Cristina Dominguez

Shes Speak

 

Untying the

muscle noose

braided by

common law

punishment of

difference

with slow

deliberate

licking

lyrics

 

Breathing

from pens

echoing

over the

Black Atlantic

they are

unfolding

dark

love songs

dying

rainbow

and

foreign

fingers

red

 

Thick and

changing

chains

linked ripples of

interrupted

but flowing

liquid life

cycles

pooled on

the mouth

of my

source

 

I came

with a mirror

hoping we’d

both look

and see

but we saw

other faces

that told us

we had to

take the

mercury

left in the

bottom of

a trash bin

seeping out of

21 year old you

to write

 

Shes speak

refusing to sync

showing that

in close harmony

there is still range

in the same color

shades

and

in touching

both shores

waves

 

The newspapers

the ones that

count

casualties and

martyr survivors

in printer chimes

have forgotten

your

refusal

to stay

in the lines

 

You

sit

next to

me

Africa

waiting

ready to speak

as I read

others’ words

of you

looking

past

the notes

on your

face

 

-Cristina Dominguez

 

 

Labor Fightback Conference

Dear Affiliates, and Supporters,

Save these important dates:  April 8 will be our next IUC membership meeting at 6 PM at IFPTE Local 195, 186 N. Main St, Milltown, NJ. Sen. Barbara Buono will join us. “Heist” will be shown.

May 10-12 we are co-hosting a very exciting Labor Fightback Conference at Rutgers.

Join us for the LABOR FIGHTBACK CONFERENCE at Rutgers being held May 10-12, 2013. We have endorsed this important and timely conference and encourage you to do so too. Invitation below.

Go to http://laborfightback.org/conference to register and endorse on line.

In Solidarity,

Carol

OPEN LETTER TO CONCERNED TRADE UNIONISTS

Dear Brothers and Sisters:

Please be advised that a national Labor Fightback Conference for concerned trade unionists who want to do something about labor’s plight will be held May 10-12, 2013 at the Rutgers University Student Center, New Brunswick, New Jersey. The undersigned urge attendance at this critically needed conference, with any interested union free to send as many representatives as desired.

This conference will address the key question: “What strategy will enable labor to mount the most effective and powerful fightback possible against the corporate assaults?”

The conference is being held in the aftermath of enactment of right-to-work in Michigan and Indiana; destruction of bargaining rights for Wisconsin public employees; the all-out assault on defined pension plans; demands by large corporations making huge profits for substantial concessions; layoffs, curtailment of benefits, and other austerity measures in cities and states across the country; 25 million unemployed or underemployed; and the list goes on.

And in the months to come, Social Security, Medicare and Medicaid will be targeted for steep cuts, which could imperil the health, welfare and very lives of the 90 million people who are dependent on these programs.

Labor’s plight ─ and the plight of the working class as a whole ─ is dire but by no means hopeless.

Despite the defeat of the recall, we take heart in the mobilization of over 100,000 Wisconsin workers and the occupation of the state’s capitol building, labor’s stunning referendum victory in Ohio, the outcome of the Chicago Teachers strike, victories of the West Coast longshore workers, and the new winds blowing in the struggles of low paid retail workers at Walmart and many food centers for a living wage and basic human rights, including the right to have union representation.

The purpose of the Rutgers conference is to explore how we in labor can most effectively mount an independent fightback action campaign based on such united front demands as putting America back to work; preserving and expanding safety net programs based on No Cuts, No Concessions, No Shared Sacrifice; Medicare for All; retirement security; and redirecting war spending to fund human needs.

We also strongly believe that labor must resurrect campaigns to organize the South and repeal repressive anti-labor legislation, especially Taft-Hartley. In this regard, we welcome the development of the Southern Workers Assembly at its recent meeting in Charlotte, North Carolina, which drew hundreds of trade unionists and others.

At the centerpiece of a fightback action campaign, in our opinion, is the building of labor-community coalitions. The Chicago teachers set an example for the entire labor movement by the way they forged an alliance with community groups and activists, which was key to the teachers’ victory. The Rutgers conference can help advance the formation of such coalitions on a local and national level.

It is through building labor-community coalitions that we will be able to mobilize the largest number of people. Confining ourselves to lobbying and nothing more will not get the job done. Street heat that will move hundreds of thousands ─ even millions when you consider the 90 million people who depend on Social Security, Medicare, and Medicaid ─ is what is needed now more than ever.

Finally, at Rutgers we can discuss how to hold accountable politicians whose loyalty is to the corporations, not the working class majority ─ politicians we often supported in the past and who betrayed our trust. How best can we fight for our own agenda? Isn’t it high time to assert labor’s political independence in our workplaces, in the streets, and in the electoral arena, starting with running independent, local, labor-community candidates for public office, who run on a platform that reflects the interests of the overwhelming majority?

We hope that you agree that there is a compelling need for trade unionists concerned about the issues cited above to convene for a free-wheeling discussion and debate leading to an action program. Please plan to join us for the Rutgers conference (a registration form is enclosed or attached). We look forward to seeing you there!

For further information, please call 973-944-8975 or email conference@laborfightback.org or write Labor Fightback Conference, P.O. Box 187, Flanders, NJ 07836.

In solidarity,

Ken Riley, President, South Carolina AFL-CIO

Donna Dewitt, Retired President, South Carolina AFL-CIO

Kevin Gundlach, President, South Central Federation of Labor, Wisconsin

Charity Schmidt, Co-President, University of Wisconsin-Madison Teachers Assistants’ Association (TAA), Executive Board, South Central Federation of Labor, Wisconsin

 

It Was Rape — by Danielle Paradis

It Was Rape

Words from the defendants, their lawyers, and their parents

“I had no intention”

“No pictures should have been taken”

“Terrible mistake that they made”

Today we learned that there would be justice for Jane Doe. The Steubenville rape case had more indisputable evidence (text messages, photos) than many other rape cases that are brought forth. After the verdict of adjudication of delinquency (similar to a guilty verdict in juvenile court) the calls for leniency were ignored as the two defendants could have been tried as adults. Even during sentencing very little was said about the rape of Jane Doe and the defense seemed preoccupied with their own fates. The tears cried by 17-year-old Trent Mays and 16-year-old Ma’lik Richmond were tears of the scared, not tears of the remorseful.

Rape is a felony of the first degree in the state of Ohio category 2 offences in juvenile courts. The court made the decision to keep the matter in the juvenile court. Regarding charges of rape, committed minimum 1 year maximum until 21.

Juvenile sex offenders will have treatment to prevent a similar crime from being committed. Both defendants will be registered as juvenile sex offenders. It is court ordered that they have no contact with the victim until they are 21.

This is an important case to keep in mind. Rape is not the inevitable result of a night out drinking it is a conscious decision on the part of the perpetrator to violate another human—in the case of Steubenville the alcohol ingested by Jane Doe negates the ability to consent.

If Jane Doe had been drunk and passed out with no rapists present she would have been fine. This case wasn’t about two bad athletes but about a culture where these boys have been brought up to think that they have to right to penetrate, urinate, and otherwise humiliate a young woman. It speaks volumes of the environment when so many people witnessed these behaviors and yet no one stepped in.  Yes they were young, but that cannot excuse behavior like the humiliations to which Jane Doe was subjected.

Although there was justice for Jane Doe today her battle is not over. She lives in a town that repeatedly tried to victim blame. Jane Doe won an a cost of two friends and national shaming. It takes a brave spirit, and it also illustrates why more women may be afraid to come forward.

Here’s more on the story

Phenomenal Women MARCH 26 – APRIL 19 at Soho20 Chelsea Gallery

https://mail-attachment.googleusercontent.com/attachment/u/0/?ui=2&ik=6548488df5&view=att&th=13d74a7d58f08297&attid=0.1.3&disp=inline&safe=1&zw&saduie=AG9B_P-jMOEKWJNoQZaoqpZfdBMK&sadet=1363593722880&sads=XKVfu97zVjqxDvv8QL7LS445vsU

Lannie Hart

Phenomenal Women

MARCH 26 – APRIL 19

Opening Reception: Thursday March 28th, 5-8pm Open House: Saturday March 30th, 4-7pm

SOHO20 CHELSEA GALLERY 547 West 27th St. Ste. 301
NY NY 10001

Above: Adam & Eve, oil and collage on canvas with brass and aluminum, 40×45 inches, 2013 SOHO20 Chelsea Gallery is pleased to present Phenomenal Women new paintings

and sculptures by artist Lannie Hart.

William Blake said that poetry and art are ʻways to converse with paradiseʼ. In Lannie Hartʼs exhibition she attempts to connect one paradise with the other. Hartʼs surreal painting “Emilyʼs Garden” relates to not only the series of garden poems by Emily Dickinson but to the soul of Dickinson as she vomits flowers. Her “Adam and Eve” painting evokes the image of Eve, the naive victim as depicted in the poem by Ralph Hodgson, and also Derek Walcottʻs poem which presents Eve as Adamʼs death. With Allen Ginsbergʼs epic poem “Kaddish”, Hart stretches for the depth of mourning in her sculpture,of the same name. She takes the humor of Billy Collinsʼs “Taking Emily Dickinsonʼs Clothes Off” and turns it into a painting about peeling off the layers of Dickinsonʼs insecurity. The painting “Womb” relates to a poem about a

womanʼs desire to tell the child she has aborted that she loves it. Her steel sculpture “Virgin of the Apocalypse”, influenced by a haiku by Scott Mason, gives us a Madonna with a glass heart and stigmata.

In all of Hartʼs latest work she continues to explore the image of women and how they are perceived by society as portrayed in myth and legend. The paintings are oil and collage on different surfaces with fabricated brass and aluminum frames. The sculptures consist of different fabricated metals, polymer clay and found objects.

Lannie Hartʼs career as an artist began in the fine crafts area as a soft sculptor, which culminated in a two-person show at Julie Artisanʼs Gallery and inclusion in the classic book “Art to Wear”. She has shown at the Museum for Contemporary Crafts in NYC and at numerous juried craft shows. Her more current work has been shown at the Katonah Museum and the Virginia Museum of Fine Art. She is a graduate of Virginia Commonwealth University with a BFA. Hart is also a graphic artist and ran her own graphic design studio in NYC for 15 years. She has traveled and worked in Japan, Taiwan, Hong Kong and Europe. This is her second solo exhibition at SOHO20 Chelsea Gallery.

For more information please contact the gallery at 212.367.8994 or

info@soho20gallery.com

Popping Into Abstraction March 26 – April 19

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Patricia Espinosa

Popping Into Abstraction

March 26 – April 19, 2013 Opening Reception: Thursday March 28th, 6-8pm

SOHO20 Chelsea Gallery
547 West 27th Street, Suite 301 New York, NY 10001

Above: “Brote” (Outbreak), Mixed Media 12×12 inches

SOHO20 presents Popping Into Abstraction, new work by Patricia Espinosa, on view March 26 through April 19. The exhibition will feature large paintings and mixed media installations and works by the artist.

At the heart of Espinosa’s work and practice is a desire to strike a balance between natural dualities and to understand both the interconnectedness and contrasting nature of these elements.

While Espinosa has a long history with drawing and traditional fine art practices, she employs unconventional techniques and materials in her work to disrupt the canonical nature often found in contemporary art. Used either directly in the work or as a tool to facilitate her practice, items such as bubble wrap, coffee stirrers, ping pong balls, hoops, and various household objects play an important part in Espinosa’s creative process. She explains, “The use of non-art materials in art practice frees the artist from the heaviness and expectation that art materials carry”.

In “Sueño de Luto” (Mourning Dream) Espinosa combines mono print and painting, mapping out layers of black, white and gray in rhythmic but chaotic pattern. References to grid-like order and organization are offset by a sporadic bulge or dissipation of pattern. Even the tightly stretched piece “El Atrapa Sueños” (Dream Catcher) juxtaposed with the hanging bubble wrap works in the show are orchestrated to bring a sense of equilibrium. Espinosa’s work acknowledges the harmony in destruction, the loss found in growth and the light found in darkness. One gives rise to the other.

Patricia Espinosa is a Mexican-born artist living in New York City. After completing her BFA at Universidad de las Américas in Mexico in 1996, she moved to New York City to earn her Masters in Fine Arts degree from Parsons School of Design. In 2005 Espinosa joined the Art Student’s League of New York where she studied under the guidance of Nicki Orbach, Kenneth McIndoe, Mariano Del Rosario and Bruce Dorfman. She currently works from her studio in West Harlem. This is her first solo exhibition with SOHO20 Chelsea Gallery.

For more information please contact the gallery at info@soho20gallery.com or

212.367.8994

Hello World — by Danielle Paradis

Hello World

There’s lady blogs all over the internet tackling the issues of pop culture, and how it intersects with the attitudes and behaviors of women. A few of my favorites include, but by no means are limited to XOJane, Persephone Magazine, and Bitch Media. Often, these are dismissed by anti-feminists as middle-class feminist issues and therefore not worthy of discussion or evidence of our near-sightedness. I don’t know a feminist worth her (or his salt) who is not concerned with the way that women are treated overseas, but there are some issues that still need to be tackled at home. We can’t always push off the concern towards the ways women are treated ‘elsewhere’ as that idea borders on xenophobia—it is easy to see a broken ideology in a culture that you are not a part of. It is harder to challenge those ideas in your own. We can do both, we have the power!

As the new blogger in town, I wanted to introduce my self and some of the topics that I will be writing about. My name is Danielle Paradis and I am 25 I live in Alberta, Canada and I am currently taking my Master of Arts in Learning and Technology. I started school wanting to be a writer and I have ended up a bit of an (inept) technology nerd. Social justice has always played large in my life. I joined Amnesty International in high school and I have remained a donor and letter-writer for their campaigns ever since. I’ve been to Brazil to visit the favelas and teach the children English, and to help renovate their homes. In my studies, I am particularly concerned with the way we can make education more open, more freely accessible to all people.

I’ve been a feminist since about 18, and one of the most influential books I ever read on Feminism was Ariel Levy’s “Female Chauvinist Pigs”.  I’m very proud to call myself a feminist. I don’t hate men, I’m very fond of them. I have a lot of male mentors and friends in my life. It was actually a man, my first year college teacher, who really got me to start thinking critically about the way society works. And, another male teacher taught me rhetoric and pop culture. You can say these men have helped me to become the feminist that I am (which is hopefully a woman they can be proud of).

I love writing about international feminist issues, sex, language usage, books, and cultural critique.

Now you know me (and if you have questions you need only ask) let’s cuddle up with feminism some more. This year during Makers Gloria Steinem was asked by someone what she should say when asked what a feminist was. Her answer: send them to the dictionary.

For our reference, the Oxford dictionary defines the movement thusly:

feminism |ˈfeməˌnizəm|

noun

the advocacy of women’s rights on the grounds of political, social, and economic equality to men.

The issue of rights for women first became prominent during the French and American revolutions in the late 18th century. In Britain it was not until the emergence of the suffragette movement in the late 19th century that there was significant political change. A ‘second wave’ of feminism arose in the 1960s, with an emphasis on unity and sisterhood.

ORIGIN late 19th cent.: from French féminisme .

Additionally intersectionality is a big interest of mine. It is a feminist-sociological theory described very well by the Geek Feminism Wiki as

a concept often used in critical theories to describe the ways in which oppressive institutions (racism, sexism, homophobia, transphobia, ableism, xenophobia, classism, etc.) are interconnected and cannot be examined separately from one another. Third Wave Feminism, especially, thrived on the concept of intersectionality in order to redefine Feminism as inclusive. The concept first came from legal scholar Kimberle Crenshaw in 1989 and is largely used in critical theories, especially Feminist theory, when discussing  systematic oppression.

I try to never say what a person should or should not believe. Feminism is not a monolith, and there are almost as many feminisms as there are people that call themselves feminists. However, intersectionality is an important topic to look at because is addresses more than just the middle-class feminism that people who are anti-feminist critique us for. We need, as feminists to be culturally inclusive, and sensitive to the ways in which oppression, and patriarchal systems affect everyone.

There’s a lot of work that feminists have to do still, ladies and gentlemen. One of the most important things you need to know is that our work, our thoughts are important.

Pointing out the sexual objectification of women in the media or the victimization and rape-culture surrounding us is not denying women sexual agency or infantilizing. Feminists should believe that women are strong! We are. Look how far we have come from the 19th Century.

What we do when we think critically about feminist issues and speak out is stand up against victimization. We say: it is no longer acceptable to us that society sees us as prizes to be won, and denies us the access to education and jobs due to our gender. It is no longer acceptable that “feminine” be seen as weaker or less capable than “masculine”. The sisterhood is strong.

Wrote this listening to the Stitch and Bitch Playlist on Songza

You can find me at danielleparadis.com or Twtter: @daniparadis

Exclusive interview with political analyst, writer and rape survivor, Zerlina Maxwell

Exclusive interview with political analyst, writer and rape survivor, Zerlina Maxwell.

Over the past week she has received racially fueled death threats for speaking out against rape. In case you missed it, Maxwell appeared on a Fox News segment with Sean Hannity last week about the possibility of arming women to prevent rape. She said the responsibility should lie instead with men rather than women. In response to her remarks, Maxwell received mass abuse on social media with commenters saying she deserved to be gang-raped and killed. Despite all the threats, she joins us to discuss her ordeal and refusal to be silent.

Check out the interview here: http://www.democracynow.org/2013/3/15/teaching_men_not_to_rape_survivor

The complete transcript will be posted soon on our website. We also encourage to join the discussion about this interview on our Facebook and Google+ pages.

CONNECT Training on Understanding Domestic Violence: Essentials and Intersections

Understanding Domestic Violence: Essentials and Intersections

Fridays
4/5/13, 4/12/13, 4/19/13, & 4/26/13

9:45am – 5:00pm

CONNECT’s four-day intensive workshop on the fundamentals of domestic violence (also known as Intimate Partner Violence).  CONNECT staff and guest speakers discuss the types, tactics, and dynamics of abuse emphasizing the intersections between intimate violence and the many health and social justice issues affecting New York City’s communities.

Topics include:

  • Why men batter and abuse,  
  • IPV related trauma and vicarious trauma 
  •  the impact of intimate violence on women and children
  • How culture and faith shape our responses to domestic violence 
  • How intimate partner violence affects LGBTQ relationships  
  • domestic violence and HIV/AIDS  
  • Domestic Violence and substance abuse 
  • The navigation of social service and legal systems.
  • Safety Planning  

Materials fee is $200 per participant.  Sliding scale is available, organizational budget will be required for sliding scale eligibility.  Go to www.connectnyc.org or call (212) 683-0015 ext.215 for more course information.  CLICK HERE to enroll.  Understanding Domestic Violence is the prerequisite course for all CONNECT Training Institute courses.

MYD’s Fourth Annual Engendering Process!

Honorees include:
Feminist author and blogger Jessica ValentiGirl Develop It, an international non-profit that provides affordable and accessible programs for women who want to learn software development through mentorship and hands-on instruction

Sanctuary for Families, the leading nonprofit in New York dedicated exclusively to serving victims of domestic violence, sex trafficking victims and their children

Wednesday, April 3, 2013, 7 p.m. at Hudson Terrace, 621 West 46th St

Facebook Link: 
https://www.facebook.com/events/351672048284765/

Black History Month Play Festival Feb 8-24, 2013: New Play by Clare Coss, featured PS Playwright/Performer

Celebrate Black History Month
Woodie King, Jr’s National Black Touring Circuit
presents
Dr. Du Bois and Miss Ovington,
by Clare Coss
Starring Kathleen Chalfant and Peter Jay Fernandez
Directed by Gabrielle Kurlander
  Fri. February 22, 7:30PM; Sat. February 23, 7:30PM; Sun. February 24, 3 PM.
Castillo Theatre
543 West 42nd Street (bt 10 & 11)
Ticket Central 212 279 4200  $20.

National Black Touring Circuit

Woodie King, Jr., Producer/ Director | Kim Weston-Moran, Associate Producer

Presents

BLACK HISTORY MONTH PLAY FESTIVAL

February 8-24, 2013


ADAM

Starring Timothy Simonson

co-produced in concert with Voza Rivers & New Heritage Repertory Theatre

by Peter Anda

Directed by Shauneille Perry

Stage Manager:Bayo

Fri., February 8 @7:30pm | Sat., February 9 @7:30pm | Sun., February 10 @3pm

Dwyer Cultural Center | 258 St. Nicholas Avenue (enter on 123rd St.) | Harlem, NYC

 

HE WHO ENDURES

Starring Ralph McCain, Norman Marshall, Marcus Naylor, and Leopold Lowe

in association with National Black Theatre

by Bill Harris

Directed by Ajene Washington

Stage Manager: Fulton Hodges

Fri., February 15 @ 7:30pm | Sat., February 16 @ 7:30pm | Sun., February 17 @ 3pm

National Black Theatre | 2031 5th Avenue (at 125th St.) | Harlem, NYC


DR. DUBOIS AND MISS OVINGTON

Starring Kathleen Chalfant and Peter Jay Fernandez

produced in association with Castillo Theatre

by Clare Coss

Directed by Gabrielle Kurlander

Stage Manager: Bayo

Fri., February 22 @7:30pm | Sat., February 23 @7:30pm | Sun., February 24 @3pm

Castillo Theatre | 543 West 42nd Street (bet. 10th and 11th Ave.) | Midtown, NYC

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