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Manal Al Sharif Arrested in Saudi Arabia for Driving a Car

This past weekend in Saudi Arabia, Manal Al Sharif was arrested for posting a video on YouTube which showed her driving a car.  Although there is no specific legislation which forbids women from driving, it has become accepted as the societal norm.  Police arrested her for violating said norms and justify their actions through the misinterpretation and manipulation of Islamic texts.  Her arrest is completely unjust and a violation of her human rights.

Over the course of the week, her video has received over half a million hits on YouTube and been discussed by countless media outlets around the world.  Her actions have inspired Saudi women to organize for their right to drive, many of which plan to participate in a national campaign beginning on June 17th in which they will take to the streets and drive.  This has also prompted an international response by human rights organizations and governments.

Ultimately, this indicates how social media has the potential to bring about great change around the world.  As we have seen with the revolutions in Northern Africa and the Middle East, along with the rallying for women’s health care and worker’s rights in the United States, social media is becoming an increasingly important platform for activism; it is able to bring together diverse groups of people, creates space for individuals to share their stories, and highlights issues that are often left out of mainstream news.

As of now, the Saudi police and government have not taken any measures to improve the status of women regarding their right to drive.  However, as Nesrine Malik at The Guardian notes, “The arrest of Sharif certainly appears to have done nothing to dissuade the Women2Drive campaign from going ahead; if anything it seems to have garnered it more publicity. There are reports that the religious police are teaming up with traffic forces to patrol and stymie the campaign. If these are to be believed, then Saudi Arabia is in for a first-of-its-kind confrontation on 17 June.”

For more information on this specific situation, follow #Women2Drive on Twitter!

“Faster, Pussycat” Dance Party – This Friday Night!

Show your love for “indie, feminist publishing” this Friday night by heading to 116 (116 MacDougal Street, New York, NY) at 9 pm for “Faster, Pussycat,” a dance party to benefit the Feminist Press!  There will be raffles, including prizes from Babeland and Dykes in the City.

Co-hosted by:
Bklyn Boihood
The Desk Set
Que(e)ry Librarians
Riot Grrrl Ink
with media sponsor Velvetpark: Dyke Culture in Bloom

9pm-11pm DJ Shae Bryant
11pm raffle prizes! announced by Bevin Branlandingham
Then WOAHMONE (Nath Ann & Savannah!) brings us dancing into judgement day!

moving images by Nica Ross!
super rad FP books for sale!
plus Tura Satana immortalized on the big screen all night long!

$5 before 10pm, $7 after.

RSVP on Facebook today!

Film: Women’s Rights and the Muslim World Take Center Stage in NYC

Women’s Voices Now, in conjunction with the Rubin Museum of Art, presents a film and dialogue event focused on women of the Muslim World.

FOR IMMEDIATE RELEASE
Contact: Catinca Tabacaru
919.475.8407

May 17, 2011—Riding high after the successful Women’s Voices from the Muslim World: A Short-Film Festival, held in Hollywood, CA, Women’s Voices Now (WVN), a non-profit New York City-based arts organization, has partnered with The Rubin Museum of Art to bring the Festival films and women’s issues to the forefront.

On May 21st, The Rubin Museum of Art (150 W. 17th Street) presents A Focus on Afghanistan, featuring a full day of screenings and two panel discussions highlighting WVN’s astounding collection of Afghan films. This collection is the largest collection of Afghan films ever presented outside of Afghanistan. The films touch upon a range of subjects from drug addiction and domestic violence to tae-kwon-do and fashion, and feature some of Afghanistan’s most inspiring and powerful women. The screenings will be held in four segments beginning at 12pm, 1pm, 3pm and 4pm. At 2:25pm, there will be a panel discussion with Rina Amiri (Political Affairs Officer in the Office of the Special Representative of the Secretary-General at the United Nations Assistance Mission in Afghanistan-UNAMA), Masha Hamilton (author and founder of the Camel Book Drive and the Afghan Women’s Writing Project), and Wazhmah Osman (filmmaker, Buried Alive: Women of Afghanistan Under the Taliban). A second panel discussion will begin at 5:25 with Anita Anastacio (Senior Technical Advisor for Education, International Rescue Committee), Vikram Parekh (Policy Officer in the United Nations Peace-building Support Office) and Sunita Viswanath (co-founder for Women for Afghan Women). Each panel will contextualize the films preceeding the discussion and with provide further insight on the on the topics addressed. TIckets for the event can be purchased at www.rmanyc.org.

For more information, visit www.womensvoicesnow.org/events

Dessert & Disorders: Video installations and stills by Erica Schreiner

In a dark humor vein, Dessert & Disorders links together the ideas of the final course of a meal and human obsessive-compulsive disorders. Murky impulses and mental dysfunctions are presented or “served” as a treat, through a combination of video and stills.

Opening reception with the artist: June 2nd, 6-8pm
Show runs June 2nd- July 2nd at the –
Bill Hodges Gallery (24 West 57th Street, New York, NY 10019)

Schreiner’s exploration of problematic states of mind is conveyed through self-representations consisting of obsessive repetition of the same actions. Self-representation and prominent use of the body have been key elements for feminist interpretations of works of art by female artists, such as Ana Mendieta and Cindy Sherman. Nonetheless, Schreiner’s work significantly differs from Mendieta’s and Sherman’s. Compared to Mendieta, Schreiner does not disguise the body in natural environments in order to signify a return to Mother Nature; instead, she emphasizes and dramatizes the presence of the body through the use of sensuality. And unlike Sherman, Schreiner’s use of self-representation does not involve playing stereotypical female roles in front of the camera; self-representation is, for Schreiner, instrumental to portraying mental states that affect behavior and the body, regardless of gender. Her video portrayals are often accompanied with flowers, glitter and food-smashing gestures in what seems to simultaneously be an attempt to establish an imaginary world filled with magic, and an effort to destroy it.

For more information about “Dessert and Disorders,” check out .

Vote for Jenn Friedman in the TWLOHA Film Song Contest!

Jenn Friedman, a singer / songwriter / piano-player, is participating in a film song contest and needs your help!

The film, “Renee,” starring Kat Dennings, Chad Michael Murray, Rupert Friend and Corbin Bleu, is based on the story of the organization, “To Write Love on Her Arms.” This organization began when some beautiful friends took in a girl (Renee) who was addicted to drugs and awaiting admission to a rehab facility in the coming days. During these last few days before her admission, her friends took her to see live music, which was a huge source of healing for her, as well as to sports events, bookstores, and church, while providing her with as much coffee as her heart desired (a “self-created rehab” according to the website). She was ultimately grateful and is recovered today. From this experience, these friends started the organization, “To Write Love on Her Arms” which advocates mental health awareness. Its signature day is honored by a world-wide effort to write the word “love” on one’s arms as a symbol of loving rather than hurting oneself. You can read the full vision of the organization here. The specific story of the days leading up to rehab can be found here.

“Renee” is hosting a contest for an unsigned musician to have an original song featured in the film. As many of my songs are based on my own experience with mental illness, eating disorders, self-injury, and observations of my friends’ addictions, I felt a strong desire to enter.

The first part of the contest is voting, and from the 20 highest-voted songs, the judges pick one to be featured in the film.

Here is what you need to do:

1) Read Renee’s story

2) Vote for her in the contest (as many times as you want – voting is unlimited!)

3) For more information: check out her blog or email her directly

Voting ends May 30th, so don’t hesitate to vote now!

Street Harassment Essay Contest

(via HollaBack!)
Want to speak up about street harassment and have your writing published on a website visited by thousands of people a year? Hollaback! is seeking submissions for our first ever essay contest! Winners will have their essays published in Sistersong’s “Collective Voices” and posted under the “resources” section of the site.

The subject of the essay contest is “Academic Discourse and Street Harassment: Where are we now, and where can we go from here?”

In order to answer this question, we are looking for students in all academic disciplines: if you’re a future law student, write us an essay on the legal issues pertaining to street harassment, the gaps in legislative protection and the possibilities for legal change. If you’re into feminist theory, write to us about how feminist movements have addressed this issue. If you’re interested in international affairs, tell us how different countries have challenged this issue. If you’re into math, submit a statistical analysis.

Any college or graduate students are eligible. The best articles will be published on the ihollaback.org website this summer, and will be judged on the basis of academic rigor, clarity, writing style, and their potential to advance the field of street harassment. Financial or other forms of compensation will not be provided, but you can rest assured that your efforts will make the world safer for everyone.

To be eligible, you must:
1) Be a currently enrolled college or graduate student.
2) Submit an unpublished academic work of 2000-6000 words on the topic provided.
3) Submit by August 1, 2011.

Please submit all essays to submissions@ihollaback.org.

Entrees will be judged on a scale of 1-10 based on four criteria:

1) Writing skill: including clarity, articulation of arguments, etc.
a. Is the writing clear? Are the arguments presented in a straightforward and logical way?

2) Writing style:
a. Is the writing compelling? Does it engage the reader? Is the writing stylistic and imaginative?

3) Impact: The degree to which the essay contributes something new to the field in which the topic is situated.
a. Does the essay describe the ways in which it presents a unique contribution? Does the author situation him/herself in the context of current academic debates on the subject?

4) Relevance of topic and presentation: Does this topic matter to the work of hollaback?
a. Is there a need for the production of information on this topic at this time? Is it topical, relevant to the work of the movement to end street harassment? Does the article generate new knowledge? Is the information presented in a way that will have impact? (ie. are there analysis or guidelines or documentation that will be useful in furthering the work of an advocacy organization like hollaback, etc)

RSVP on Facebook Today!

This Wednesday: “Stop Rape NYC” – A Peaceful Protest

You can make a difference.

Join us Wednesday, May 11, 2011 –  In front of the NYPD Rape Cop’s  misogynist lawyers, Joe Tacopina and Chad Seigel, whose strategy is to put the rape victim on trial and questioningly compared her bruised genitalia and all women’s private parts that Seigel calls “it” he compares to a Venus fly trap that snaps shut!

Comparing women’s private parts to a fleshing eating plant in court is an in your face hate crime.

Even more woman will not come forward and the stats for RAPES are up!!!!

See you in front of Joe Tacopina Chad Seigel’s law firm (275 Madison Avenue at 40th Street)
Contact: Stoprapenyc@yahoo.com or Suzannahartist on YouTube
Go to YouTube search Tacopina Seigel NYPD Rape – watch YouTube series.

Reminder –  Tacopina represented Hiram Monserrate until he couldn’t tax payers to pay his $750 an hour rate and represented Natalee Holloway’s murderer – you can watch Tacopina on YouTube declaring Van der Sloot’s innocence.  It is sickening!!!

Poetic People Power: “The Revolution Will Be…”

Poetic People Power will premiere its 9th annual show titled “The Revolution Will Be…” at the Nuyorican Poets Cafe. Poets include Tara Bracco, Erica R. DeLaRosa, Andy Emeritz, Frantz Jerome, Shetal Shah, Jonathan Walton and Justin Woo.

Date: May 25, 2011
Time: 7 PM
Venue: Nuyorican Poets Café, 236 East 3rd Street, NYC
Admission: $15 online or at the door.

Poetic People Power is an ongoing project that combines poetry and activism. Each year, poets are commissioned to write new poems about timely social or political issues. In light of recent events, this year’s show focuses on protest and revolution. Join us as our poets bring their creativity to the stage! More info at www.poeticpeoplepower.com

Poetic People Power is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council.

"The Effect of Media on the Global Movement for Women's Rights – focus on Muslim Worlds": A Panel Discussion

Monday, May 9, 2011 at 6:30 pm ET
The Paley Center for Media (25 W. 52nd Street, New York, NY)

IN PERSON

Qanta Ahmed, Associate Professor of Medicine, SUNY-Stony Brook; Author, In the Land of Invisible Women
Maha Awad, International Television Host and Producer
Danielle Lurie, Filmmaker, In The Morning
Negar Mottahedeh, Associate Professor, Program in Literature Duke University – Reading Film Fiction
Catinca Tabacaru, Executive Director and General Council, Women’s Voices Now

The Paley Center in partnership with Women’s Voices Now and the Rubin Museum will examine how women in Muslim worlds are using media to illuminate their personal and cultural environments. The panelists will consider what happens to a previously closed society that now confronts the free-flowing information of the Internet, as well as how women are using all types of media to struggle for civil, economic, and political rights. The discussion will also focus on the recent uprisings in the Middle East and the role played by women using social media and the Internet. Before the discussion, several films from different genres will be screened to exemplify the diversity of these women’s response.

Follow the live tweets @PaleyCenter on Twitter and use #MuslimWomen and #PaleyLiveNY to join the conversation!

“Resurrection” by Cristina Dominguez

I lay where the grass dips between burial plots, my hip fits right in the groove. Separating effaced tablets, between grave, stone faced bed-mates, I am a frayed red ribbon book-mark—claiming her space, the living between the dead. They tell me I can’t stay here all night. I need to get used to sleeping in my own bed, but they don’t know how beds haunt me, how beds are more like coffins for me, how I’m more alive here with ivy curling in between the toes of my finally still feet.

Too heavy to stand I roll over each mound, with each twirl I push my face deeper into the ground and when I am right on top of them I pause to face them. Words don’t need to be spoken, they are written, the veins in my eyes, they crawl out onto my cheeks into the soil moistening the sockets of their skulls where marigolds will grow. “Just this once” one concedes. I bed down in the moss and the spiral strands of my hair land among the flower-weeds.

I rest my head on prayer, my worries are strung on cramped bent fingers reaching for a pen. The morning fog stretches like an opaque plastic bag over my face. I mouth Hail Mary but am signing my poems, omens for the coming of the queen.

Slams and clicks beneath my fingertips, aisles and rows of embossed tablets, each say my name. This is the altar where I lay to rest my dead, this is the place where I will live.

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