Archive for Events

NOW-NYC and Feminists for Choice Tweet-Up

Announcing a new Meetup for The NOW-NYC Meetup Group!

WhatNOW-NYC & Feminists For Choice Tweet-Up

When: Friday, January 21, 2011 6:00 PM

Where: (A location has not been chosen yet.)

Bloggers Go from Tweets to the Streets!

NOW-NYC is teaming up with Feminists for Choice, an online collective of feminist writers, to host a “tweetup” in honor of the 38th anniversary of the Roe v. Wade Supreme Court decision, which recognized a woman’s right to seek an abortion. Join us for feminist fun and networking and to learn more about volunteer opportunities for our on-the-ground clinic defense efforts and how to take action for choice in 2011!

To be held at:
Dove Parlour | 228 Thompson Street | New York, NY 10012
Subway: West 4 St, Washington Sq

RSVP to this Meetup:
http://www.meetup.com/NOW-NYC/calendar/15916103/

Work Study: Sex Work and the New School Student

This past fall, New York Post headlines decried the “Hooker Teacher!”–a tenured public school teacher who is also a graduate of the New School. Amid the myths and sensationalism is the plain fact that many students and professors count sex work among the jobs they have had to pay the bills.

Join the “Hooker Teacher” Melissa Petro, moderator Jennifer Baumgardner (feminist author and activist), writers Audacia Ray and Melissa Febos (both New School graduates), Niesha Davis (a current student), and others, including advocacy groups, to discuss sex work, feminism, and why an open conversation about sex work is critical now. Co-sponsored by Gender Studies, Lang@25, n+1, and Paradigm Shift.

Details:

March 22nd, 2011

6:30-9:30 pm

66 West 12th street

Wollman Hall, 5th floor

The Athena Film Festival: A Celebration of Women and Leadership

THE FIRST ANNUAL ATHENA FILM FESTIVAL ANNOUNCES THE FESTIVAL’S 2011 NARRATIVE AND DOCUMENTARY LINEUP

“Miss Representation, Desert Flower, and Mo”

The Athena Film Festival:  A Celebration of Women and Leadership, announces its 2011 lineup of narrative and documentary films.

Straight from the Sundance Film Festival, the New York City premiere of Miss Representation, a film about the media’s disparaging portrayals of women, punctuated by candid interviews with Katie Couric, Nancy Pelosi, Rosario Dawson, Lisa Ling, Catherine Hardwicke, Geena Davis among many others.

Desert Flower, a film based on the bestselling book recounts the incredible journey of African refugee Waris Dirie who became a top international model.

The Festival is also proud to announce the U.S. premiere, in partnership with BBC Worldwide, of Mo, in which award-winning actress Julie Walters portrays Mo Mowlam, the charismatic woman whose no-nonsense approach to politics helped achieve one of the monumental landmarks in recent British history, the Good Friday Peace Agreement.

The festival will also present three shorts programs — including 12 features and documentaries all directed by women.

“We are extremely proud to announce the diverse slate of films we have selected for our inaugural season.  The films we’ll screen exemplify our mission—to bring women’s unique and powerful voice to the forefront,” said Kathryn Kolbert, co-founder of the Festival and director of the Athena Center for Leadership Studies at Barnard College.  “It is an honor for us to bring films with distinguished, creative and innovative visions and voices from all over the world, to our community,” said Melissa Silverstein, co-founder of the Festival and founder of Women and Hollywood.

Hosted by Barnard College and Women and Hollywood, the festival takes place February 10 -13, 2011.  Films will be shown on Barnard’s campus in Morningside Heights.  For All Access tickets or more information, visit www.athenafilmfestival.com.

The current lineup follows.  Additional screenings, panels and special events including the winners of the 2011 Athena Awards still to be announced.

FEATURE PROGRAM (Includes both documentaries and narratives):

MISS REPRESENTATION (Directed by Jennifer Siebel Newsom) NY Premiere

Miss Representation explores how mainstream media contributes to the under-representation of women in power by promoting limited and often disparaging portrayals of women. Writer/Director Jennifer Siebel Newsom interviews some of America’s most influential thought leaders in politics, news, entertainment, and academia to reveal what lies beneath the media’s messaging. (Documentary)

DESERT FLOWER (Directed by Sherry Hormann)

Based on the novel by Waris Dirie and Cathleen Miller, Desert Flower recounts the incredible journey of an African refugee  who became a top international  model.  The book became a worldwide bestseller with more than 11 million copies sold.  (Narrative)

THE MIGHTY MACS (Directed by Tim Chambers) NY Premiere

In the early 1970’s, Cathy Rush becomes the head basketball coach at a tiny, all-girls Catholic college. Though her team has no gym and no uniforms—and the school itself is in danger of being sold—Coach Rush looks to steer her girls to their first national championship. (Narrative)

REAL WOMEN HAVE CURVES (Directed by Patricia Cardoso)

This is the story of Ana, a first generation Mexican-American teenager on the verge of becoming a woman.   She realizes that leaving home to continue her education is essential to finding her place proudly in the world as an American and Chicana. (Narrative)

BHUTTO (Directed by Duane Baughman)

A riveting documentary about the recently assassinated Benazir Bhutto, a polarizing figure in the Muslim world. Following in her father’s footsteps, Bhutto was expected to dominate Pakistan’s 2008 elections, but her assassination sent Pakistan into turmoil. (Documentary)

MY SO-CALLED ENEMY (Directed by Lisa Gossels)

In July 2002, 22 Palestinian and Israeli teenage girls traveled to the U.S. to participate in a women’s leadership program called Building Bridges for Peace. My So-Called Enemy is about six of the girls and how knowing their “enemies” as human beings complicates the next seven years of their lives. (Documentary)

PINK SMOKE OVER THE VATICAN (Directed by Jules Hart) NY Premiere

Pink Smoke Over the Vatican is a documentary about impassioned Roman Catholic women who are defying the Church hierarchy by being illicitly ordained as priests and refusing to remain voiceless in the religion they love. (Documentary)

PINK SARIS (Directed by Kim Longinotto)

Pink Saris follows Sampat Pal Devi, the leader of the “Pink Gang,” who brings her own brand of justice to the streets of Uttar Pradesh, India, combating violence against women. (Documentary

THE TOPP TWINS: UNTOUCHABLE GIRLS (Directed by Leanne Pooley)

The Topp Twins: Untouchable Girls tells the story of the world’s only comedic, singing, yodelling lesbian twin sisters. Part concert film, part biopic, part historical record, part comedy, the Twins share their journey with laughter, honesty and wisdom. (Documentary)

CHISHOLM ’72 – UNBOUGHT & UNBOSSED (Directed by Shola Lynch)

The first historical documentary on Brooklyn Congresswoman Shirley Chisholm and her campaign to become the Democratic Party’s presidential nominee in 1972.  (Documentary)

PASSIONATE POLITICS:  THE LIFE AND WORK OF CHARLOTTE BUNCH (Directed by Tami Gold) Premiere

Passionate Politics brings Charlotte Bunch’s story to life, from idealistic young civil rights organizer to lesbian activist to internationally recognized leader of a campaign to put women’s rights, front and center, on the global human rights agenda. (Documentary)

VISION (Directed by Margarethe Von Trotta)

Vision is a film about Hildegard von Bingen, a visionary in every sense of the word.  This famed 12th-century Benedictine nun was a Christian mystic, composer, philosopher, playwright, poet, naturalist, scientist, physician, herbalist and ecological activist. (Narrative)

MO – US Premiere in partnership with BBC Worldwide (Directed by Philip Martin)

Award-winning actress Julie Walters takes on the lead role in a revealing portrait of Mo Mowlam, the powerfully charismatic woman whose no-nonsense approach to politics helped achieve one of the monumental landmarks in recent British history, the Good Friday Agreement. (Narrative)

SHORTS PROGRAM:

A HARLEM MOTHER (Directed by Ivana Todorovic)

In 1998, 18-year old LaTraun Parker made a documentary about the difficulties of growing up in Harlem. Eights years later he was shot dead on the street. Today his mother Jean Corbett-Parker fights youth gun violence and helps other parents survive the pain through her organization, “Harlem Mothers.”

FAO (Directed by Aitor Echeverría and Carolina Alejos)

Hunger, loneliness and the will to survive push Fao to embark on a journey that will bring her face to face with her fears.

PERISTA (Directed by Kim Weiner)

Theodora, grandmother of the filmmaker, recounts the story of her childhood in Greece during WWII. When fighting broke out in her homeland, she fled with her sisters and mother to the mountain village of Perista. There, they struggled to survive and outlast the war that Theodora would never forget.

BLIND EYE (Directed by Laura Degnan)

A mother torn between being a good citizen and protecting her child discovers that both intervening and turning a blind eye can have negative consequences.

OUT OF INFAMY:  MICHI NISHIURA WEGLYN (Directed by Nancy Kapitanoff and Sharon Yamato)

Michi Nishiura Weglyn (1926-1999) was a noted civil rights activist who gave up a successful career as costume designer for the popular Perry Como Show to write the landmark book, Years of Infamy: The Untold Story of America’s Concentration Camps, which set the record straight about the incarceration of more than 120,000 Americans of Japanese descent during WWII.

THE DELIAN MODE (Directed by Kara Blake)

The Delian Mode is an audio-visual exploration of the life and work of electronic music pioneer Delia Derbyshire. A collage of sound and image created in the spirit of Derbyshire’s experimental processes, this film illuminates her unique soundscapes onscreen while paying tribute to a woman whose work has influenced electronic musicians for decades.

gasp  (Directed by Thomai Hatsios)

A film about a young mother who will do anything, including endangering her own life, to ensure that the lights in her home stay on and her daughter is safe.

GROWING UP BARNARD (Directed by Daniella Kahane)

Compelled by her family’s four-generation legacy at Barnard College, alumna Daniella Kahane ’05 explores the relevance of women’s colleges today.  The film includes interviews with distinguished alumnae Judith Kaye ’58, Anna Quindlen ’74, Suzanne Vega ’81, and Joan Rivers ’54, among others.

AUDREY SUPERHERO (Directed by Amy K. Jenkins)

The experimental documentary explores the shifting terrain of gender identity.  “I wanted to be a boy when I got borned outta your tummy!” says Audrey, 6, who insists she’s Superman.  Playful and arresting, Audrey de-cloaks from Clark Kent to Superman, revealing her ‘secret identity’ as a boy.

BISMILLAH (Directed by Jolene Pinder and Sarah Zaman)

Bismillah follows the beginnings of one Muslim woman’s groundbreaking struggle against America’s political structure. The film tells the story of Farheen Hakeem, a feisty 31-year- old Muslim Girl Scout troop leader who puts herself under public scrutiny by taking part in the consummate patriotic act—running for office.

POSTER GIRL (Directed by Sara Nesson)

POSTER GIRL is the story of Robynn Murray, an all-American high-school cheerleader turned “poster girl” for women in combat, distinguished by Army Magazine’s cover shot. Now home from Iraq, her tough-as-nails exterior begins to crack, leaving Robynn struggling with the debilitating effects of PTSD and the challenges of rebuilding her life.

THE LOST GIRL (Directed by Elizabeth Chatelain)

Nyanwuor Duop’s fled her village along with thousands of other children. She walked for days from the Sudan to a refugee camp in Kenya.  She made it to the US.  In 2004, she was finally given asylum.  She spends time traveling around Texas advocating for Sudanese refugees and spreading awareness of the continuing situation in the Sudan. Nyanwuor dreams of one day returning to her country; to show her daughter the beautiful and peaceful Sudan where she was born.

ABOUT THE ATHENA CENTER

Barnard College’s Athena Center for Leadership Studies is a premier interdisciplinary center devoted to the theory and practice of women’s leadership.  Renowned civil rights attorney Kathryn Kolbert is the Athena Center director.

ABOUT WOMEN AND HOLLYWOOD

Women and Hollywood operates at the intersection of feminism and entertainment.  Since its inception in 2007 it has grown to be one of the most respected sites focused on women’s issues and popular culture, and its founder, Melissa Silverstein has become a well-respected commentator on the subject.

ABOUT BARNARD COLLEGE

The idea was bold for its time. Founded in 1889, Barnard was the only college in New York City, and one of the few in the nation, where women could receive the same rigorous and challenging education available to men.  Today, Barnard is the most sought-after college for women and remains dedicated to the education of strong, independent-minded women who change the world and the way we think about it.

WANT FREE TICKETS TO SELECT SCREENINGS?  Go to the ticket site and plug in the code: ATHENA11

“Powerful Women Changing the World”

After publishing her debut novel, Pure Vision: The Magdalene Revelation, Angelina Perri Birney took to the feminist blogosphere!  Birney’s blog, Powerful Women Changing the World, features interviews with “women leaders who are inspiring other women to take action on all levels – locally and globally – with respect to human rights and peace initiatives.”  Her interviews tackle important subjects such as the generational divide in the feminist movement, women’s representation in the media, and political activism.

Birney’s blog is truly a source of inspiration!  For those interested in feminist activism, these posts should be required reading.  For those that still doubt how one individual can make a difference, check out her posts to see how these incredible women are changing the world.

Marianne Schnall:: Daring to Be . . . Feminist.com

SAM COOK: Human Rights, An Inclusive View

Waging Peace: Media Benjamin of CODEPINK

Jamia Wislon of the Women’s Media Center: Feminism’s Authentic Voice

Rock out for Roe! Party to benefit NYAAF

Save the date: Saturday, January 22, 7pm – 10pm

Come celebrate the anniversary of the landmark abortion decision, Roe v Wade, at Biddy Early’s in TriBeca!  It’s pay what you can at the door starting at $10, although no one will be turned away for inability to pay. All the proceeds benefit the New York Abortion Access Fund, a volunteer-run, 501c3 non-profit organization that provides financial assistance to low-income women in New York State who cannot afford to pay for an abortion.

Don’t forget to RSVP on Facebook!

For more information about NYAAF, visit http://www.nyaaf.org.

The Economics of Happiness by Helena Norberg-Hodge: Documentary Screening and Panel Discussion

Thursday, January 27th, 6:30 pm – 10:00 pm

The Economics of Happiness by Helena Norberg-Hodge

Documentary Screening and Panel Discussion

Is there a connection between money and happiness?  In her documentary, The Economics of Happiness, environmentalist Helena Norberg-Hodge advocates for localization — the rebuilding of communities and regional economies as the foundation of an “economics of happiness” to improve sustainability, raise cultural awareness and address societal woes tied to globalization.  Local efforts profiled in the film include urban gardens in Detroit, Michigan, the Transition Town movement in England, community development in Japan, and cultural preservation in Peru and Ladakh (“Little Tibet”).  The documentary launches in New York City at The Cooper Union’s historic Great Hall (7 East 7th Street b/w 3rd and 4th Avenues, NYC 10003) on Thursday, January 27, 2011 at 6:30 PM,  followed by a panel discussion with Norberg-Hodge, Judy Wicks (co-founder, Business Alliance for Local Living Economies), Gloria Steinem (co-founder New York and Ms. magazines) and others.  This event is free and open to the public.

The Economics of Happiness is produced by Helena Norberg-Hodge, and written and directed by Norberg-Hodge, Steven Gorelick, and John Page. The launch event is sponsored by The Cooper Union Institute for Sustainable Design, with Grace and Communications/Sustainable Table, Slow Food NYC, and others.

Helena Norberg-Hodge is a leading analyst of the impact of the global economy on culture, agriculture, and individual identity. She is director of The International Society for Ecology and Culture (ISEC), and is a co-founder of both the International Forum on Globalization (IFG) and the Global Eco-village Network.  In 1986, she received the Right Livelihood Award, or the “Alternative Nobel Prize” as recognition for her work in Ladakh.

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WHAT: The Economics of Happiness: Documentary Screening and Panel Discussion

Environmentalist Helena Norberg-Hodge’s film promotes the “Economics of Happiness,” highlighting efforts to rebuild local communities and create regional economies that improve sustainability, raise cultural awareness and address societal woes tied to globalization. A panel discussion follows with Norberg-Hodge, Judy Wicks, Gloria Steinem and others.

WHEN: Thursday, January 27th, 6:30 pm – 10:00 pm

WHERE: The Cooper Union – The Great Hall: 7 East 7th Street at Third Avenue (b/w 3rd and 4th Aves.), New York

MEDIA CONTACT: Jolene Travis; 212-353-4158; jolene@cooper.edu

Ilyse Fink; 212-575- 4545; ifink@lakpr.com

For more information: Info: 212.-353-4200, www.cooper.edu

Follow Cooper Union on Twitter at http://twitter.com/cooperunion

The Cooper Union for the Advancement of Science and Art is a distinguished private college of art, architecture and engineering founded in 1859 by Peter Cooper, an inventor, industrialist and philanthropist. Since its founding, all admitted students have received full-tuition scholarships.

January 14th @ Postmark Cafe: All-Female Comedian Lineup!

Here’s a bit of feminist trivia for you… What could be better than spending your Friday night at a comedy show featuring an incredible, all-female lineup?

A free comedy show featuring an incredible, all-female lineup!  On Friday, January 14th, at 8PM, The Living Room Show will be hosting:

*Nikki Glaser (Last Comic Standing)*

*Pheae Crede (Nintendo Week)*

*Esther Ku (NBC)*

*Arden Myrin (Mad TV, Chelsea Lately)*

*Del Harrison (Mo’Nique)*

*Abbi Crutchield (MTV)*

The event will take place at Postmark Cafe: 326 6th St, Brooklyn, NY 11215.  Hope to see you there!!

A LOWER EAST SIDE FEMINIST TAKEOVER POST-HOLIDAY HAPPY HOUR

FACEBOOK INVITE

Feminist Comedy Exists! Meet the Women of "F-Word: Feminism, Funny & Fearless!"

This Thursday, December 9th, from 7 to 10 pm, head to Angels & Kings @ 500 East 11th Street between Avenue A and B for “F-Word: Feminism, Funny & Fearless!  A Fundraiser for Paradigm Shift NYC.” You don’t want to miss this incredible event hosted by Abbi Crutchfield and Jen Dziura, featuring Jessica Delfino, Leah King, and Hadiyah Robinson.  Don’t forget, this is a fundraiser for Paradigm Shift NYC!  Tickets are $25 dollars prepaid/for students and $30 dollars at the door; .  If you can’t make it, please donate – we need your support!Check out what these amazing women had to say when I interviewed them about the upcoming performance, activism, and female empowerment:

1) What should people expect from “F:Word: Feminism, Funny, and Fearless!”?

Jessica: People should expect to encounter a whole room full of smart, fun, terrific women, some of them named me (I’m a gemini) who are slightly embarrassing themselves on stage for the benefit of a laugh, and also, some really confident dudes. I also imagine it will be a good place to learn, be inspired and possibly even get laid by another consenting adult.

Abbi: Firstly, a frightfully fast and furious frenzy of freaky femme fatales!  For friendly fun, fear not! Five fabulous females share feel-good fairy tales for a few dollars! Finally, forty flopping flounders fight fifty flying fish for a fiefdom of figs. Phew! (Also a raucous night of comedy, and there might be more than five of us).

Hadiyah: I think everyone should expect a good time. The line up is a mixed bag of styles and there’s going to be something for everyone.

Jennifer: Well, to begin with, those of us who are menstruating are going to tell jokes from a hut offstage, because we are impure.  Also, we are obviously going to be very bitchy.

Leah: It’s wild to me that the word ‘feminism’ has become such a loaded label with varying definitions. My mom has always told me that she is an Original Feminist, and that it’s all about empowerment, independence and embracing individuality. She’s also a hilarious woman full of humor and spunk. I think that “F:Word: Feminism, Funny, and Fearless!” is a way to reclaim and celebrate the diversity of women – all of our senses of humor, struggles, joys, and reasons to be proud!

2) Comedy is a great way to publicly discuss important issues and taboo subjects, which helps raise awareness and opens up space for important conversations.  How would you describe the relationship between comedy and activism in your work?

Jessica: They make sweet love nearly every night, in front of a room full of people and they don’t care who’s watching. Whether it’s subtle, subliminal or in your face, my comedy always touches on issues that I consider to be important, first as a human, and second as a woman. It can be tricky to marry activism and comedy but if I wanted a job that lacked those things, I would have gotten a job as a bank teller, not a joke teller.

Abbi: You’re right that comedy can raise awareness, but the important conversations better not happen while I’m on stage.  Show some respect and keep it down, activists!  My comedy is pretty personal, which should mean it is hard to get a room full of strangers of different ages, races, genders and backgrounds to care about or even understand how I feel, but it’s not.  People are people.  We are all awkward, afraid, proud and giddy about silly things. So on a very small scale I affect the world thusly: I share private matters that resonate with people, they laugh about them and maybe laugh at themselves, they are entertained and pay it forward by staying in a good mood when buying stamps, and a postal employee doesn’t snap.

Hadiyah: Well I use my comedy as charity by lending my talent to organizations and fund raisers that are making a difference. Each year I perform for Breast Cancer Awareness, Domestic Violence, Alcoholics Anonymous, Education, and more.

Jennifer: I have a little story.  When I was in college, I was participating in an activist event — the Day of Silence for gay and lesbian youth.  All of the protestors refused to talk for an entire day (we wore buttons so people knew what the point was).  And, the day before the event, I innocently asked a woman I knew — someone who was active in the Rainbow Alliance, our LGBT group — whether she was participating, and she said, “No, I’m not doing that.  I think you really make change by making friends and building relationships with people and just acting normal, and then when your beliefs come up, your friends see your point of view.”  And I found that eye-opening, especially the next day when I was supposed to read a short story aloud in a creative writing class and I declined to do so, as part of the Day of Silence.  Was anyone in my writing class a homophobe who needed to be shown the error or his or her ways?  Was anyone persuaded by my commitment to the cause?  Um, no.  I was just being annoying.  Another student read my story for me, which kind of defeated part of the exercise, because I was supposed to read it myself.  So, yes, I think I could’ve done better by being normal (by which I just mean acting like my everyday self), making friends, building credibility, and sharing my views more organically.

So, I think part of the deal with comedy and activism is that, in order for comedy to work, the audience has to like you or at least see your point of view.  You have to build a rapport.  If people are already laughing at your jokes — any jokes at all — then there’s a basic foundation in place for actually changing people’s minds, if that’s where the act goes.

Of course, I do see potential for a Day of Silence in comedy.  We could mime.

Leah: To be honest, I never thought of myself as a comedienne, but I have always had a die-hard commitment to Damn Good Times. I mean, the way to work through pain is to acknowledge it, accept it, then laugh at it. I mean, I’m a Jew. And I’m Black. And I have HUGE hair. I’ve got thousands of years of oppression behind me, so I had to learn to laugh at myself pretty quick if I was gonna make it.

Also, I’ve realized over the years that people won’t listen to you if you yell at them. If you make them feel comfortable, understood, and safe, they will be more open to discussion. I think humor relaxes people, and can help open doors to communication. I mean it doesn’t work in all situations, but it’s always worth a shot.

3) How do you see comedy as a source of empowerment for women, both in the audience and as performers?

Jessica: I’m thankful to be surrounded by a strong network of some of the toughest, funniest, most ambitious, won’t-take-no ladies around who are to me, an endless supply of inspiration and motivation. Working in comedy is an amazing daily challenge, and that keeps us as performers coming back and pushing back and making strides towards getting what we want and what we’ve earned. It’s also a forum for women to speak frankly and affect change immediately. It keeps the audience returning to laugh, cheer the performers on, be inspired at times, listen and yes, maybe even get laid. By a consenting adult.

Abbi: Great question.  They say public speaking is the number one fear of Americans so by virtue of its execution you are facing a fear or watching someone face a fear, which can be totally inspiring, even subconsciously.  As a performer becomes more confident in sharing her ideas and engaging people in an entertaining conversation, a stronger connection is made. Young women may feel encouraged to forge a career in the art of stand-up or just emulate what they see and like by translating it to whatever field they’re in.

Hadiyah: Comedy is definitely empowering to women in the audience and I’m reminded of that when I connect with them after my shows. They come up to me and let me know that my jokes say the things they are thinking or wishing they themselves could say and they love it! I’m like self appointed politician winning votes with each show.

Jennifer: If I thought that I personally needed comedy in order to be empowered, I would have my head up my ass to a monumental degree.  I hope I’m not so selfish as to believe things like that.  I am a recipient of all kinds of forms of privilege.  No one has ever tried to silence me.  If anything, I have encountered much more classism than sexism in my life.  I hope I have, concomitant with the aging process, developed the wisdom to be able to tell the difference between expressing myself and actually doing something of value to other people.  I’m sure the comedy experience is different for other people, and my hat is off to anyone who has had to slog through sexism or other cultural barriers to perform stand-up or to be heard at all.  If you want to empower someone — someone who actually needs it — go out into the world and become an expert in something, and charge people a lot of money for it, and send the money to a girls’ school in Afghanistan, or to a fistula hospital.  If the something that allows you to make that kind of money is stand-up, sweet, but in my experience, stand-up is a really bad way to make money.  Comedy might make you and me FEEL empowered, but feelings only exist inside our heads.  They’re bullshit compared to action.  Money, properly applied, helps people.  That’s why this thing is $25.

Leah: Oh, women. Get a bunch of us in a room with cushy chairs, break out the chocolate, and pretty soon someone will start crying. I think it’s important for us to realize that all of our vulnerabilities can also be tools for awesomeness. I know way too many women who let the pressures of life make them feel constantly on the defense, and I want to use comedy and performance art to remind them that embracing our struggles, and learning to love and laugh at ourselves, can make tough days a lot easier.

Honoring 20 LGBTQ Activists: 7th Annual Stonewall Honors

Join us on Thursday, December 2, 2010 for the 7th Annual Stonewall Honors, Stonewall Community Foundation’s signature women’s event.  Stonewall is celebrating its 20th Anniversary by honoring 20 extraordinary women for their contributions to the LGBT community. Join us in honoring these amazing women in our community by:

  • Buying a sponsorship or ticket to the event by clicking the link below.  Sponsorships start at $250 and general tickets are $95 ($120 at the door).

This year’s event will be held at the Highline Ballroom (431 West 16th Street, NYC) from 7:30 PM to 12 AM.

All proceeds from Stonewall Honors will support Stonewall Institute’s Out In Front New York Program, a dynamic new initiative focused on training a younger generation of LGBT leaders as we seek to develop the skills for organizational leadership and the inspiration for philanthropic giving to the LGBT community.

For additional questions about Stonewall Honors and Stonewall Community Foundation, please contact Thai Pham, Director of Events and Communications, at 212-367-1265 or thai.pham@stonewallfoundation.org.

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